The Ugly Swans (film)
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The Ugly Swans (film)
''The Ugly Swans'' () is a 2006 Russian science fiction drama film directed by Konstantin Lopushansky, based on the 1967 novel of the same name by Arkady and Boris Strugatsky. The film is often compared to Andrei Tarkovsky's ''Stalker'', also adapted from a Strugatsky book. Plot The film's plot is loosely based on the novel, with some superficial differences. The story has been adjusted slightly to contextualize it in the "near future," with the main character Victor Banev recast as a UN envoy to the town of Tashlinsk, where a mysterious group has taken the town's children to an isolated boarding school. The major departure from the novel's plot is in the ending, in which the "Aquatters" ("Slimeys" from the novel) are all killed by the humans. The children are heroically rescued by Banev, but they are unable to reassimilate into society and are institutionalized. A small role created for the film was a UN negotiator named Gennady Komov, a reference to a popular character from the ...
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Andrey Sigle
Andrey Reinhardtovich Sigle (; born 15 May 1964, Gorky, USSR) is a Russian film producer, film music composer, musician, head of the companies Proline Film and Studio ACDC. Biography Andrey Sigle was born on May 17, 1964, in Gorky. Andrey started to study music since he was 5. Sigle graduated from the Rimsky-Korsakov music college. In 1986 he entered Conservatory in the name of Rimsky-Korsakov, piano class (studio of Mr. Zarukin). He was invited by the head of Royal Swedish Academy of Music to study the profession of a film music composer, which became the unique precedent in Russia. In the mid 1980s, he became interested in sequencers and other instruments which allow to imitate the sounds of the philharmonic orchestra. Andrey participated in recording of the albums for such music groups like Kino, Alisa, Nautilus Pompilius, and also projects for solo by Sergey Kuryokhin and Boris Grebenshchikov. He worked as an arranger and sound designer for their albums. He also w ...
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Konstantin Lopushansky
Konstantin Sergeyevich Lopushansky (; born June 12, 1947) is a USSR, Soviet and Russian film director, film theorist and author. He is best known for directing the Apocalyptic and post-apocalyptic fiction, apocalyptic and post-apocalyptic films ''Dead Man's Letters'' (1986), ''A Visitor to a Museum'' (1989), ''Russian Symphony'' (1994), and ''The Ugly Swans (film), The Ugly Swans'' (2006). In 1997, Lopushansky was awarded the Merited Artist of the Russian Federation, Honored Artist of the Russian Federation honorary title. In 2007, he was awarded the People's Artist of Russia honorary title, the highest Russian civilian honor for performing arts. Biography Early life Konstantin Lopushansky was born on June 12, 1947, in Dnipro, Dnepropetrovsk, Ukrainian Soviet Socialist Republic, Ukrainian SSR, and raised in Kazan. His mother was Sofia Petrovna Lopushanskaya, who worked as a linguistic professor at Kazan State University and Volgograd State University. His father was Sergei Timofey ...
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Films Based On Works By Arkady And Boris Strugatsky
A film, also known as a movie or motion picture, is a work of Visual arts, visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, emotions, or atmosphere through the use of moving images that are generally, since the 1930s, Sound film, synchronized with sound and (less commonly) other sensory stimulations. Etymology and alternative terms The name "film" originally referred to the thin layer of photochemical emulsion on the celluloid strip that used to be the actual Recording medium, medium for recording and displaying motion pictures. Many other terms exist for an individual motion-picture, including "picture", "picture show", "moving picture", "photoplay", and "flick". The most common term in the United States is "movie", while in Europe, "film" is preferred. Archaic terms include "animated pictures" and "animated photography". "Flick" is, in general a slang term, first recorded in 1926. It originates in the verb flicker, owing to ...
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Neo-noir
Neo-noir is a film genre that adapts the visual style and themes of 1940s and 1950s American film noir for contemporary audiences, often with more graphic depictions of violence and sexuality. During the late 1970s and the early 1980s, the term "neo-noir" surged in popularity, fueled by movies such as Sydney Pollack's '' Absence of Malice'', Brian De Palma's '' Blow Out'', and Martin Scorsese's '' After Hours''. The French term ''film noir'' translates literally to English as "black film", indicating sinister stories often presented in a shadowy cinematographic style. Neo-noir has a similar style but with updated themes, content, style, and visual elements. Definition The neologism neo-noir, using the Greek prefix for the word ''new'', is defined by Mark Conard as "any film coming after the classic noir period that contains noir themes and noir sensibility". Another definition describes it as later noir that often synthesizes diverse genres while foregrounding the scaffolding ...
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Russian-language Mystery Drama Films
Russian is an East Slavic language belonging to the Balto-Slavic branch of the Indo-European language family. It is one of the four extant East Slavic languages, and is the native language of the Russians. It was the ''de facto'' and ''de jure'' official language of the former Soviet Union. Constitution and Fundamental Law of the Union of Soviet Socialist Republics, 1977: Section II, Chapter 6, Article 36 Russian has remained an official language of the Russian Federation, Belarus, Kazakhstan, Kyrgyzstan, and Tajikistan, and is still commonly used as a lingua franca in Ukraine, Moldova, the Caucasus, Central Asia, and to a lesser extent in the Baltic states and Israel. Russian has over 253 million total speakers worldwide. It is the most spoken native language in Europe, the most spoken Slavic language, as well as the most geographically widespread language of Eurasia. It is the world's seventh-most spoken language by number of native speakers, and the world's ninth-most s ...
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